By Matthew J. Perry
Although he describes his weekly turn as art critic for The New Yorker magazine as “the best job in the world,” Peter Schjeldahl, a longtime resident of Bovina, doesn’t seem to take praise for granted.
Artists, after all, are famous for their adversarial relations with critics. And then there are the art historians. Schjeldahl, a dropout of two colleges and largely self-taught, seems pleased by the notion of himself as a misfit among academics and others who use their degrees as a basis for opining about art. They can say what they like about him; after all, he’s been writing about art for 40 years.